...a superior, stylish thriller, rich with nods to the 1960s and the golden era of paranoia dramas.

...the terror here is mostly from the threat of what might happen. There's nothing scarier than that. The mind can imagine anything.

Okuno has created a piece of work that has merit as a feminist discussion piece.

...flourishes as it complicates its premise beyond the unknowable and faceless desires of a shadowy silhouette.

...this classy debut feature from American director Chloe Okuno crafts a teasing, uneasy sense of uncertainty, both about the character – is she a target? Or an aggressor? The stalked or the stalker?

...a very solidly engineered Hitchcockian throwback.